By Victoria Fragoso "Toya"

This multi-genre playlist of Washington-based artists and bands is inspired by how we determine our sense of success, good fortune, and prosperity, as well as finding our place in the world.

Somebody Again by James Coates (Sumner)

Balance by Champagne Sunday (Tacoma)

It’s Okay by The Rallies (Seattle)

Too Hard to Love (Live Version) by Her Mountain Majesty (Seattle)

Up All Night by Batbox (Seattle)

Precious Cargo by Coldboulder (Tacoma)

Wish by Waves Crashing (Olympia)

Fly High by Tara Anne Chugh (Tacoma)

Fears We Hold by Among Authors (Seattle)

Black Cloud by Victoria Fragoso feat. Trusty Sea Creatures (Tacoma)

You can find more local artists such as the band LeLe, Elegant Pleasures, Chris Sloan & the Dirty Birds, SeaStar, Gat Moony, Moose Almighty, James Carr Band, Steve Aliment, Maddie Wolf, Alex Rasmussen, Brittany Danielle, Jess Pillay, Octavia McAloon, and others on the Local Roots Music NW playlist at localrootsmusicnw.com 🖤

[image] quartets

This Monday, Telemann’s brilliant “Paris Quartets” are to be celebrated in this third program of the 2024 Salish Sea Early Music Festival featuring violinist David Greenberg, harpsichordist Elisabeth Wright, viola da gambist Susie Napper and baroque flutist Jeffrey Cohan. Telemann, one of the most prolific and influential composers of all time, composed his vibrant “Paris Quartets” in Hamburg and then Paris in response to a request in 1730 from the most famous Parisian flute, violin and cello virtuosi and resulted in his most significant journey away from home during his lifetime.

Monday, February 26, 2024 at 7:00 PM:

• Telemann Paris Quartets • with David Greenberg (baroque violin), Elisabeth Wright (harpsichord), Susie Napper (viola da gamba) & Jeffrey Cohan (baroque flute)

St. Luke's Memorial Episcopal Church 3615 N Gove Street in Tacoma www.salishseafestival.org/tacoma

— suggested donation $20 to $30 (a free will offering; please pay as you wish)

2024 Salish Sea Early Music Festival at St. Luke's Memorial Episcopal Church in Tacoma:

— Monday, February 26 at 7:00 PM:

• Telemann Paris Quartets • David Greenberg, baroque violin, harpsichordist Elisabeth Wright, viola da gambist Susie Napper & baroque flutist Jeffrey Cohan

— Monday, March 25 at 7:00 PM

• Haydn & Beyond • Classical chamber music with Lindsey Strand-Polyak on both violin and viola, cellist Adaiha MacAdam-Somer and Jeffrey Cohan, 8-keyed flute

— Monday, April 8 at 7:00 PM

• Cantata & Lieder • soprano Arwyn Myers, harpsichordist Elisabeth Wright and baroque flutist Jeffrey Cohan

— Monday, May 6 at 7:00 PM

• Psalms (1620) & Irish (1720) & Folksong (1820) • Oleg Timofeyev on renaissance lute and 7-string guitar and Jeffrey Cohan on renaissance, baroque and 8-keyed flutes

— Monday, May 27 at 7:00 PM

• Baroque Concerti • harpsichordist Elizaveta Miller, violinist Carrie Krause, violinist Elisabeth Phelps, violist Victoria Gunn, cellist Adaiha MacAdam-Somer & Jeffrey Cohan on baroque flute

— Monday, June 24 at 7:00 PM

• The 18th-Century Harpsichord in Spain • Irene Roldan, solo harpsichord

— Monday, July 1 at 7:00 PM

• Johann Sebastian Bach • harpsichordist Irene Roldan and flutist Jeffrey Cohan

✷ ✣ ✷ ✣ ✷ ✣ ✷

Donate: https://www.salishseafestival.org/donate.html

Donations may be mailed to: Salish Sea Early Music Festival 13113 S Wildwood Lane, Anacortes, WA 98221

By Catmere Gardens

Hopefully, by now you’ve got your tools sharpened, your gardening shed in order, pruned your berry bushes, trained your grape vines on their trellis, treated your peach and nectarine trees for leaf curl, and have your seed starting area with your first round of seeds. If not, don’t panic and work your way down your list. Do what you can do inside at night or when the weather is not suited, though in the PNW we get used to gardening in the rain.

March is a good time to have your outdoor planting areas ready to go and your cold frames up to protect your early planting, which can easily be destroyed by one good frost. And those frames will likely stay up until May when we typically see our last frost. I always think of Mother's Day as a good time to get to work planting freely outside in Mother Nature.

INDOORS: Now that we have our seed starting areas going, you want to transplant your brassicas that are ready to go and any other cooler weather crop for your outdoor cold frames. These lists are in no way all-inclusive…

An important note about growing indoors is keeping an eye on moisture, temperature, and light. Some seeds germinate best when soil temps reach 70 degrees Fahrenheit. Seedlings can get thin and spindly if they are working too hard to reach for the light. Also, too much moisture equals molds and other seed/plant-killing problems, so airflow and keeping it moist but not WET is a good rule.

What you can start indoors now: Peppers, Cantaloupes, Cucumbers, Eggplants, Pumpkins, Tomatoes, Watermelons, and Squash. And any brassicas or anything listed in the outdoor list. These are just recommendations.

OUTDOORS: You need to be planting your bare root trees, berry bushes, rhubarb, asparagus, and strawberry plants, fertilizing your flowering ornamental bushes, and pruning your roses. Later in the month plant and divide bulbs. This is also a good time to get a start on your weeding/minimizing those plants that smother and encroach on your garden area.

Technically, a “weed” is in the eye of the beholder, and it might be good to get to know the plants that are growing abundantly already and how they might be utilized. Dandelions are incredibly useful, as are miners’ lettuce, plantain, sorrel and so many other “weeds” that have good uses. Here at Catmere Gardens, we’ve even taken to creating patches of these plants that allow us to enjoy them. You’ll often find me leaving plants like clover and dandelions intermixed among the seeds we have planted. This makes for healthier soils and plants when you avoid monoculture environments.

What can you plant in mid to late March in cold frames: Arugula, Asparagus, Beets, Broccoli, Brussel Sprouts, Cabbage, Carrots, Cauliflower, Celery, Chives, Cilantro, Collards, Dill, Fava Beans, Kale, Kohlrabi, Leeks, Lettuce, Onions, Parsley, Parsnips, Peas, Potatoes, Radishes, Salsify, Spinach, Swiss Chard, Turnips, to name some. Take note: for best results wait till after mid-March for cold frame planting.

A note about greenhouses: Some of us are fortunate enough to have a greenhouse structure built and awaiting our seeds. During this time, it is critical to inspect for pests like aphids, and other bugs that will destroy your plants. We have a fairly large greenhouse, so we can incorporate natural pest deterrence like ladybugs and attempt to avoid anything additional in terms of chemicals. A general rule to remember is that what you do to one, you do to all. In attempting to control or eliminate pests you also destroy the ‘good bugs’ so try to make choices that will build a healthy ecosystem.

Well, that should get you through March and keep you busy until April. Check back in a few weeks when we talk about what April's showers will bring to your gardening.

By Paul Grover

[image] womprats

“Do you like Star Wars?” - James Earl Jones asked of Sheldon, played by Jim Parsons in an episode of The Big Bang Theory.

I liked Star Wars so much that when it came out in 1977, I watched it 50 times over the six months following its initial release. I wasn’t just watching the movie; I was looking for something. I figured George Lucas was some kind of film making genius. Yet I could scarcely imagine that Star Wars would always be a part of my life in some way since it began in 1977. Comic books, books, movies, more movies, prequels, and so many TV shows these days--not to mention Muzak in supermarkets, advertising displays, and a constant stream of toys that is still going strong after 40-45 years. Somebody must like Star Wars--there’s more of it now than there ever was!

But there was something else; George Lucas had, again, awakened in me that same spark I felt watching Planet of the Apes. Planet of the Apes premiered on television in 1973. The fact that I watched it on a 13” inch B&W television didn’t dampen my enthusiasm one iota. For the first time, I understood what the combination of a great story, social commentary, fantastic directing, innovative make-up, costumes, props, sets could do to transport you to a completely different place and time on a thrilling adventure.

It’s this spark that I want to talk about. It’s one of those things that just happens to some people, like falling in love. And one spark can ignite thousands of others. Understand, this is an unstoppable spark for some of us. This is even more evident if you take a look at what’s happening on the fan film side of things.

Because of people like George Lucas, the playing field between amateur and professional filmmakers has been largely leveled. The average person can now purchase cameras and software to create results that rival the pros. What the pros produce out of big budgets, amateurs produce out of pocket. And the amateurs are quickly becoming the pros. It’s more than just learning how to use the tools--it’s costuming, set building, prop making and sometimes make-up and mask making. But more importantly, it’s learning to tell a story.

In the beginning, there was “Hardware Wars”, a straight-up parody of Star Wars that George Lucas liked so much, he added it as a short feature opening for his own film. When something reaches the point of parody, that is indeed a sign that your creation has been accepted into the zeitgeist.

Fast-forward to today in Tacoma, where there are Star Wars fan films being made in your own backyard! You could literally be walking from 40th to 43rd down the alley between Park and “G” street and catch our crew shooting a scene when the garage door is open. This spring and summer, we’re producing a couple of different projects. One is a straight up Star Wars parody. The other is a Star Wars/Star Trek-adjacent parody. (What is it that makes us want to make fun of the things we love? Frankly, I’m a moth attracted to the flame of parody. I literally giggle thinking of what I could make fun of!)

“Womp Rats” is the brainchild of R. Edwin Smith. He and a few friends gather together for an informal Sunday morning sword practice every week. One day, the conversation turned to lightsabers and how many amazing, incredible, beautifully choreographed lightsaber duels there are in fan films. The conversation morphed into how possible it was to produce their own fan film. Smith is an accomplished writer and published science fiction author who is very comfortable at the computer keyboard. He considered the challenge. Research included viewing other fan films to get started. Smith did what I call a “George Costanza”: the opposite of whatever has always been done. For example, there are too many (albeit well done) lightsaber duels, “We won’t have any,” Smith said. “We’ll concentrate on story, character and humor. And we’ll never meet Leia, Luke or Han, though they may be mentioned in passing.”

I felt the corners of my mouth involuntarily rising into a smile as I read the pilot script. Here’s a script with some forward momentum! I couldn’t stop my mind from working on it. Picturing it. Designing the sets, the environments and the situations.

In this story, everyone on the planet Add’Eden is a loser for various reasons. Each of these characters fell through the cracks to find themselves in this place that the war has largely forgotten (this is during the reign of Palpatine). And it’s a real dump. “They’re all doing their level best to carve out some kind of life here,” Smith wrote. Even the Imperial Colonel, who is in charge of the local garrison, wants to keep the Empire out of his business. His business? A gambling table where he and a card shark known as Nix fleece every bounty hunter, smuggler and scoundrel that comes into the place. (Of course the game is Sabacc, helped to be made popular by the movie Solo.)

Smith explains it this way: “Let me briefly go over the amount of work we’re talking about here: Even for just a 30-minute pilot episode, we’re talking about hundreds, maybe thousands of hours of work. To accomplish this, we’ll need a small army.”

Even without lightsabers, there will be some minimal special FX, some practical FX, brilliant scale model work, mask making, puppetry, green screen compositing. We’re planning to use what we’ve learned, but more importantly, learn new techniques and methods for telling stories. We’re not planning to reinvent the wheel, per se. Our vision is something along the lines of an ILM for the PNW--for indie film makers, garage film makers, and inevitably, professional contracts with film companies.

Right now, we’re a collective of about 8-9 people and growing. One of us is becoming acquainted with Blender animation software. Another is learning DaVinci Resolve, a film editing program which is as comprehensive as Blender is for 3D animation. So far, we have one very skilled 3D animator on the team who is also learning 3D animation in virtual space. He said of the program, “It’s very like that children’s book Harold and the Purple Crayon, which he could use to create anything out of thin air.”

Our team is scattered at this point, but we are working towards a common space where we can set up shop for creating things on a little bigger scale. We envision a permanent green screen stage and, when it becomes feasible, a motion capture stage for doing motion picture work, but moving in the direction of our own VR productions. One future project will be a story where you can choose to be one of the characters or be a spectator: you can either sit back on the couch in the room where the action is taking place or be the lead investigator who, after asking some questions of witnesses to, let’s say, a murder, you will examine the crime scene. You will pick up clues and leads; leads that lead you on adventures and side quests.

What comes next for “Womp Rats”? A series of vignettes introducing the characters back stories. “This is what we can accomplish with our current budget and what we already have. We have some fabulous sets to work in and some very professional looking FX. In the absence of lightsabers, I think you’ll be impressed by what we’ve accomplished so far,” says Smith. Even the Cantina interior will have to be depicted collectively--this is where “garage films” gets its name. The green screen/Cantina set is in one garage; the cockpit of the ship depicted in one of the vignettes is in another. “I can squeeze out a space in my garage roughly 10 by 12 feet or something like that. But the planned game room is twice that size. We’ll use a green screen to depict the rest of the Cantina interior.”

“Getting back to the topic of the hundreds of hours of work. We’re relying heavily on the fan community for many of the background aliens, characters, masks, costumes and props. That’s thousands of hours of work, if you look at what the cosplay community has accomplished collectively. That work is done. If you want to display your work, we’d love to have you participate.”

Then there is the “one task” policy. R. Edwin Smith explains, “We understand that there are fans out there that have day jobs competing with the time they want to devote to their craft or cosplay. That leaves mostly weekends to work on your craft. So, for those who want to participate, just complete one task for the production, even if that task is just you with a mask, or in a costume with props that you’ve already made. Most of the time, it will be like a day of participation, maybe two. That’s all we ask of anybody.”

In fact, if anyone has a talent or a similar vision for an I.L.M. in the PNW, then come along. Furthermore, if there is something you want to learn--for example, some cosplayers will want to know how to sculpt and cast their own masks--we can show those just starting out how to accomplish that: where to get the materials, taking you step by step from a sculpture to a finished, full, over-the-head mask. Just join one or both of our Facebook groups!

Womp Rats

Galaxy Rats

“Well, we must now get back to making terrible fun of Star Wars.”

Job Carr Cabin Museum is now accepting applications for the 5/4 Old Town Craft & Music Festival.

Do you create hand-crafted items using traditional methods? We are seeking up to 10 Heritage Crafts Vendors for this event. Heritage Crafts may include local makers, artisans, and crafters who design their own handcrafted products. This may include woodworking, pottery, ceramics, glassblowing, leather working, metal smithing, candle making, paper making, printmaking, jewelry making, calligraphy, etc.

Old Town Craft & Music Fest

Saturday, May 4 - 11am-3pm

Experience a variety of heritage crafts and demonstrations, local music, and family activities in Tacoma's Old Town Park (2350 N 30th St). This free community event features family fun for all ages during Tacoma's Heritage Preservation Month.

FACEBOOK EVENT

This year's expanded event includes two booth categories:

* Community booths are free.

* Heritage Crafts Vendor booths are $40.

Additional details and the booth application are available on our WEBSITE

We hope you'll be able to join the fun at this annual event.

[image] bridgingworlds

Tacoma, WA: Music has always been a powerful tool for bringing people together and bridging cultural divides. On March 3, the Tacoma Youth Symphony will perform music from composers from two very different parts of the world. The concert will open with Jean Sibelius’ Finlandia with the hymn sung by Finnish soprano, Heidi Kankaanpää. TYS will also explore melodies from African American culture through William Grant Still’s Afro American Symphony. Violinist Svend Rønning will also perform the Violin Concerto by Jean Sibelius. And from right here at home, the Tacoma Youth Symphony Chamber Winds will perform the world premiere of A Tone Poem by TYS clarinetist, Ben Pelandini.

[image] BenP

Ben Pelandini is a senior at Rogers High School in Puyallup. He has played the clarinet in the Tacoma Youth Symphony Association since the 8th grade and has also participated in the PLU concert band, UPS concert band, and the Tacoma Concert Band through their side-by-side program. As a composer he has had works performed by his high school band and the Seattle Wind Symphony. Ben has also studied the piano for 10 years. Ben plans to study composition next year in college.

Violinist Svend Rønning is Chair of the String Division at Pacific Lutheran University where he is Professor of Music and violinist with the Regency String Ensemble. He is also one of the most active performers in the Puget Sound region, serving as Concertmaster of the Symphony Tacoma as well as performing frequently as a soloist, recitalist, chamber musician, and recording artist. Dr. Rønning also serves as the Artistic Director of the Second City Chamber Series, Tacoma’s award-winning producer of chamber music concerts and chamber music educational programs. He made his solo debut with orchestra performing Mozart’s Violin Concerto in G Major with the Everett Youth Symphony in 1983 under the direction of Dr. Paul-Elliott Cobbs. Since then, he has appeared in venues around the world. Dr. Rønning earned his undergraduate degree in violin performance, summa cum laude, from Pacific Lutheran University. He subsequently earned a Master of Music and a Doctor of Musical Arts degree from Yale University. His prior teaching appointments have included faculty positions at the Eastern Music Festival and the University of Virginia.

Heidi Kankaanpää, Finnish-born soprano, has been teaching and performing in the Pacific Northwest for over 40 years. She started her musical studies first at the Espoo Music Institute, then at the Sibelius Academy, later moving to the U.S. to attend the Cleveland Institute of Music where she studied voice with Irvin Bushman and piano with Olga Radosavljevich. Ms. Kankaanpää has been on the faculties of University of Puget Sound Community School, Pacific Lutheran University, Tacoma Community College, and Pierce College, Puyallup. Ms. Kankaanpää has toured Italy with the Everett Symphony and has been soloist with the Pori Philharmonic in Finland, the Bremerton Symphony, the Southwest Washington Youth Symphony, the Tacoma Junior Youth Symphony, the Tacoma Young Artists Orchestra, and the Tacoma Youth Symphony. In addition to teaching private piano and voice lessons, she is the Music Director and Conductor of Tahoma Voices Chorale, a community choir she helped form in 2005.

Tickets are on sale now! To purchase tickets go to www.tysamusic.org.

This concert is sponsored by the McEachern Foundation and Weddermann Architecture, PLLC.

Season sponsors are the Tacoma Arts Commission, Tacoma Creates, the Washington State Arts Commission, and the National Endowment for the Arts. Program supporters are ArtsFund, Sound Surgical Arts, the University of Puget Sound School of Music, and Weddermann Architecture.

By Voxxy

Back in October I wrote about the symbolism that I saw mirroring Tacoma in the half faceless coyote roaming the streets for months, lovingly referred to by much of the city as Jawless Jerry. Shortly after the turn of the new year it was reported that Jerry was hit and killed by a car. As I reflect on the impact this poor creature had on the community, I offer up my energetic interpretation of this recent loss.

I see this event as a letting go of something we have become familiar with or used to. Something that once captivated our attention has now come to an end. Although there may be sentimental feelings about the loss, or of the letting go process in general, we also recognize that it is probably for the best. This happening so close to the new year emphasizes that same energy of something ending, and of course, new beginnings.

We might feel that same kind of energy in our own personal lives if we are letting go of things that no longer serve us, or that we have outgrown. Let’s face it, despite our compassion for this animal, it was not a beacon of joy and happiness for anyone. Maybe there is something in your life that you realize is not making you happy and it is now time to just let it go.

On a collective level, maybe we can let go of identifying Tacoma as some sort of broken, dirty, or scary city. I mean, I don’t see us that way, but I do hear a lot of people that talk shit like that, and by watching the news, you might think that to be true.

My hope is that we can shift our focus to the things that uplift and inspire, because there is really a LOT of greatness in our city! That we can begin to see ourselves reflected in the unique creativity and beauty that surrounds us. They say that where your focus goes…grows. So maybe together we can begin to plant seeds of optimism and community support, and share the good stories and good deeds of our friends and neighbors. To put our time and energy into creating our own greatness to share with others, and to support those who are doing the same. I know that is what I’ll be doing, and I know that is what the Volcano will be doing! We are after all, the City of Destiny, maybe it’s time we start believing in it!!!

The Making a Difference Foundation’s Tacoma mural project, "Muted Voices," has received a bronze award in the 3rd Annual Anthem Awards.

[image] Mural1

The 3rd Annual Anthem Awards were announced on January 30, 2024, and Making A Difference Foundation’s mural project, Muted Voices, was a bronze winner in the Public Service Community Engagement Categories for nonprofit organizations.

The Public Service category is the best-in-class efforts by federal, state, or local government or council project, initiative, or campaign to engage a community of people and provoke action related to Diversity, Equity, & Inclusion. The competition received over 2,000 submissions from 44 countries around the world.

Ms. Blue said of the award, “I am truly honored and thrilled on behalf of Making A Difference Foundation for this prestigious award that recognizes our impactful project Muted Voices, and how it reflects our collective dedication, hard work, and unwavering commitment to our mission.” She goes on to say, “I’m also humbled for our work to be acknowledged among so many other distinguished people and projects, including Misty Copeland, Taylor Swift, Elton John, Kevin Bacon, and many more.”

[image] mural2

The mural can be viewed at Making A Difference Foundation’s building located at 3507 E. McKinley Ave on Tacoma’s east side. The mural was designed by Devona Roy and the community helped paint her vision. The mural project saw dozens of community members coming together to complete it, building understanding and camaraderie. There’s a video of this project being painted at the link below.

The mural was designed with the intent to, “inspire everyone to speak out and let their voices be heard, the mural focuses on racial and cultural diversity and represents different people of the BIPOC community; a community that has been historically marginalized without a true voice due to systemic racism. This beautiful work of art is meant to improve, inspire, and beautify the local area while creating a talking piece between neighbors and community leaders that creates an open dialogue relating to cultural differences, diversity, equity, and inclusion as well as remind everyone to speak out and let their voices be heard.”

About the artist: Devona Roy is a versatile visual artist, mother, and army veteran based in Tacoma, Washington. With a passion for vibrant colors and striking imagery, Devona works with acrylic paint, oil paint, spray paint, and body paint. Her artistic journey spans nearly four decades, culminating in a thriving career that began in 2017. Known for captivating portraits and abstract non-portrait work, she fearlessly explores various mediums, from canvas to attire, decor, walls, and even body painting. Her murals can be found in schools, churches, and an Army Base in the United States and Germany. Devona’s artistry reflects her deep connection to her craft, and she continually seeks to inspire and unite through her captivating creations.

READ MORE

Tacoma SuperFolk 2024 Festival

Friday, March 1st Night Market 6:00 PM – 10:00 PM

Join Northwest FolkLife at the Tacoma Arts Live (Armory) Roosevelt Room for a night market and jam. You can shop locally and choose from a selection of incredible craft artists from Tacoma. If you’re a musician, don’t forget to bring your instrument and join the SuperFolk musicians for a jam session. This free event will kickstart the weekend’s festivities at the Washington State History Museum.

[image] superfolk

Gallery Walk

Saturday, March 2nd Gallery Walk 11:00 AM – 4:00 PM

Visit the Washington State History Museum and tour the main floor exhibits while musicians perform within various galleries to punctuate themes explored in each exhibit.

2nd Installation of Northwest FolkLife’s SuperFolk Party

Saturday, March 2nd Night Social 6:00 PM – 10:00 PM

Join us on the 5th floor of the Washington State History Museum and enjoy live music, local crafters, food vendors, and performing artists at the 2nd installation of Northwest FolkLife’s SuperFolk Party.

All ages, REGISTER HERE

MORE INFO

International Women’s Day & The World Through Abby’s Eyes Exhibit

[image] womans day

Join us to celebrate International Women’s Day & The World Through Abby’s Eyes Exhibit! March 8th, 2024 2-4pm in the Tahoma Room at the University of Puget Sound. This event will include a talk by Professor Tiffany Aldrich MacBain and a showcase of artwork from the exhibit. Free, all ages, light refreshments will be served.

Works by Becky Frehse, Beverly Naidus, Debbi Commodore, Deborah Greenwood, Dorothy McCuistion, Gabby Cooksey, Jessica Spring, Lucia Harrison, MalPina Chan, Paige Pettibon, Victoria Björklund, Yoshi Nakagawa, and Yuka Petz will be on display.

Please REGISTER HERE

[image] vashon

March Happenings At Water From Wine

Thursdays 7pm Liquid Courage Lecture Series/Liquid Courage Poetry Sessions – looking for featured speakers!

It’s like a mild version of “Drunk History” and it can be on any topic you hold an expertise on. For details contact annalee@waterfromwine.org

Fridays & Saturdays 7-9pm – Live Music

March 1st - Tasting Available 12-10pm – 6pm Ground to Sound Film Festival @UWT stop by the Water From Wine booth for volunteer opportunities and a tasting card to join us in the tasting room!

7-9pm Casual Jam Session with Sam Cori and local musicians

March 2nd 7-9pm Shawn Pennington Music

March 3rd Sips & Succulents with Muddas Succulent Designs 2-4pm Walk-ins welcome!

March 9th 7-9 pm Guilded Lilly Band

March 15 & 16 No music – we will be pouring at the Grand Tasting during Taste Washington in Seattle

March 22nd Youth Music Series: Music By Muir

March 23rd Music by Angela Petrucci

March 30th Youth Music Series: Bay-Six Jazz Combo

Water From Wine is located at 1704 Pacific Ave, Tacoma, WA 98402

You can find Water From Wine’s other meetup events, HERE.